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BMW Art and Music – the Art Car Project in Miniature

Some people collect stamps, some bugs, others go for jars, while others simply collect rare miniature high performance cars covered with artwork. Try to read the last part faster and you'll see how strange it sounds. A bit like a comedian's line during a stand-up act. Fortunately, it was the passion of such people that allowed me to take a look at what would normally be a difficult thing to visit, namely the BMW Art Car Project, which was present at the Los Angeles Country Museum in February and is now showcased in New York's Grand Central Terminal. But as I said, I didn't get to see the famous cars, the real deal so to speak. I had the pleasure to see the lilliputian version of the whole exposition and by that I mean the 1:18 scale models. Yup, believe it or not, there are miniatures that faithfully reproduce all the details of the original works of art.  For a bit of history, the idea of the BMW Art Car Project started more than 30 years ago when the French race car driver Hervé Poulain wanted to invite American artist Alexander Calder to express his talent on his BMW racing car. Since then, other talented artists like Stella, Warhol, Lichtenstein and Rauschenberg followed the example of Calder and designed sixteen BMW Art Cars, based on both racing and regular production vehicles.  Now, back to the story. The place where the event took place is a library in Romania's capital, Bucharest, called Carturesti. I got there with high hopes of glorious images lit by natural light coming down through large windows, only to be utterly disappointed by the harsh reality. The whole thing was taking place below ground, in the library's basement lit by artificial light. What's more, every single one was encased in acrylic glass covered with fingerprints left by over curious visitors and by way too young children to be left alone through rare miniatures.    Anyway, a photographer's got to do what a photographer's got to do. I got on my knees and, as sexual as it may sound, I started shooting away. Not long after that and probably alerted by a Mary Poppins lookalike (read my assistant holding an umbrella) and by showers of bright light (read the flash going through the umbrella or bounced into it), a tall fellow approached me and asked me what website/magazine I was from.    I told him, he left and I resumed my photo session undisturbed. Towards the end of the experience, I wanted to ask him some questions about some of the models and he, the tall guy I told you about, was more than happy to answer them. Apart from the information on some of the models there, I found out that his name was Mani Gutau, that he was the owner and that he had been passionate about cars for as long as he could remember. Moreover, I was a bit surprised to find out that he didn’t have a dull job like you’d except from a guy who owns a rare miniature car collection. You know what I’m talking about, those positions with complicated names few people actually know what they mean. Anyway, to my great surprise, Mani is the founder of a band called Urma (which means Trace in Romanian) who is about to release their latest album, Lost End Found, and a very talented musician, as my research later revealed. As my photographic experiences are less interesting than the story about passions and rare cars, here’s the entire conversation with Mr. Mani Gutau. Tudor Raiciu: How long have you been passionate about cars and when did you start collecting rare models?
Mani Gutau: That’s a question I can easily answer. When I was a little kid I used to trade plastic horses for radio-controlled cars. I was pretty persuasive, which would bring a whole committee of mums and dads at my parents’ door, asking desperately for their children’s toys back. Later on, when I was in my first grade, taking violin lessons at some pioneer’s club(please appreciate the fact that I am self-denouncing myself, I entered the auto market during the communist regime)I peaked at some kart and all of a sudden, the violin fell to the status of the reason why I used to leave home: to watch an engine and a man who would ride outside that beautiful car I never got as a present, no matter how hard I tried to convince my folks. The miniature collection materialized after I played with big cars for a long time and I thought I’d like to have on my desk all those nice memories of the ones I already drove, plus those sweet dreams of the beautiful ones I will surely drive.


Tudor Raiciu: Why BMW?


Mani Gutau: Hmm. Why BMW? Well, we are talking about cars, do I have another choice? Seriously now, each of us chooses at some point a cockpit where he feels best, as a driver, a passenger etc. Me, I feel at home in my BMW, it’s a warm feeling I couldn’t get in any other car, and by that I mean a comfortable environment offered altogether by elegance, sportsmanship, dynamics, control, all shaped up with no compromise. There are definitely other powerful, respectable brands, but I believe that cars and passion mix together like love… there are many beautiful girls, but only one builds her way up to your heart. So that’s my story with cars too, I took home many pretty young ladies through time, but for now, my eyes and heart belong to only one.


 

Tudor Raiciu: How does music mix with cars, especially high performance cars?

Mani Gutau: Good cars deserve good music. Although things are working a bit backwards in my country for the moment. Imagine a journey driving an M6 listening to Miles Davis or Jamiroquai. The perfect match. I can’t really imagine bad music in a good car, as well as I can’t really imagine a car without any music. My car is the place where I listen, compose and let music illustrate my journey. Sometimes, music given by an engine and its cylinders is self-sufficient, but it’s always better to offer some musical help to go with it.

Tudor Raiciu: Speaking of high performance, are you only interested in the models alone or are you just as passionate about the real deal as well?

Mani Gutau: I am willing to trade, I offer you my miniatures for the real models. I promise to find a suitable room, I could eventually find a bigger office with some larger shelves, for I would love to keep them also in my room. So you have my answer, for sure I am addicted to the real deal as well, but until now I did not manage to find some nice gas reserves in my own backyard. I am still looking, the future holds unlimited possibilities, even in gas reserves.

Tudor Raiciu: What are the costs involved and what was the most expensive car model? How difficult was it to get them all?

Mani Gutau: Well, when you are talking about passion, in general, the costs are involved. Like a beautiful girl needs beautiful jewelry and a trip to Paris, so does the passion for automotorsport: it requires effort, sacrifices and a lot of driving. Looking at the BMW art cars collection, it ironically comes to my mind that the hardest model to get was the one signed by Jenny Holzer, BMW V12 LMR, which has the following quotation written on one of its sides: The unattainable is invariably attractive. Jenny was right. And her warning is more than honorable. It was quite difficult to put my hands on all models included in this collection, but it was very attractive. The way I managed to get it in time – and here I’m not talking only about the miniatures, but also about the original BMW Art Car Collection posters, post cards etc. – represents a journey that connected me to BMW collectors and hobbyists all over the world, from Seattle to Freiburg or Munchen. So even miniatures can help you get to beautiful places, just like their bigger sisters.

Tudor Raiciu: What's your favorite one?

Mani Gutau: If you take your time to observe every model included in this collection, you will understand that there was from the start an art conspiracy. A diabolique one. 15 artists working together with mechanics and engineers, all of them determined to leave you at the end with no possibility to choose.

Therefore I can’t choose a favorite one, I’m still working on it, sometimes I make a call and then I watch another model and change my mind; every single one has its story and I believe that’s the catch that makes the difference between these models and a series model. In this latter case, it’s relatively easy, you can choose the Indianapolis red model or the Arctic Silver one. It depends on every person’s chromatic choice and taste. But as far as the BMW art cars collection is involved, this choice has been taken away from you right from the start: each model has its own story and each one tells you something else. I believe that the whole collection must be looked at as a puzzle and I, for one, am fascinated by the journeys where every piece determines another. Just like the structure of a fine engine.


Tudor Raiciu: Now, tell us something about the band, URMA, and the latest album Lost End Found.

Mani Gutau: It's a little bit ironic, we can consider my passion for cars the legit parent of this musical project. After all, our first album Nomad Rhymes was made just to listen some nice acoustic alternative in my car. I had no other master plan at that time, driving was my relief and my main passion, my car drove me to Cluj Napoca, I met some nice people and musicians and I decided to go again in a studio, to make music, an album made with no compromises, with no strings attached to the music industry. You see, in Romanian Urma means Trace. That was the main idea at that time, to write some good music to go along with my future journeys, something honest and valuable to pass along to my future child. I never expected at that time that so many people would embrace our music in their cars for their own journeys. So there’s no coincidence that the best environment to listen Urma’s music is behind the wheel, with a nice road ahead.

Now here we are, after almost 6 years, working on the 4th album. Lost End Found. An album whose title speaks about the last years’ experiences, about Urma in general, as a journey, as a miles’ collector. An album that will be delivered to the public on a puzzle-concept. The band’s website will offer the audience each tune as it is recorded. One by one, until it builds a whole, a complete album, which will appear on a limited edition on CD and Vinyl. For those who understand and enjoy music with no boundaries.

Looking back in time, it seems that spring is my fairy queen, it always convinced me to go back on the road, even when I was determined to cool the brakes for a while. So for the moment I have this good feeling, that soon I will be back on the road again, maybe a long beautiful journey to Lisbon, with my kayaks on top of my car and some nice music to go along with. Time will tell, for the moment spring is back again.
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